Eyes as Big as Plates is the ongoing collaborative project between the Finnish-Norwegian artist duo Riitta Ikonen and Karoline Hjorth. Starting out as a play on characters from Nordic folklore, Eyes as Big as Plates has evolved into a continual search for modern human’s belonging to nature.
The series is produced in collaboration with retired farmers, fishermen, zoologists, plumbers, opera singers, housewives, artists, academics and ninety year old parachutists. Since 2011 the artist duo has portrayed seniors in Norway, Finland, France, US, UK, Iceland, the Faroe Islands, Sweden, South Korea, Czech Republic, Japan, Senegal, Outer Hebrides, Tasmania and Greenland.
Each image in the series presents a solitary figure in a landscape, dressed in elements from surroundings that indicate neither time nor place. Here nature acts as both content and context: characters literally inhabit the landscape wearing sculptures they create in collaboration with the artists.
As active participants in our contemporary society, these seniors encourage the rediscovery of a demographic group too often labelled as marginalized or even as a stereotypical cliché. It is in this light that the project aims to generate new perspectives on who we are and where we belong.
Eyes as Big as Plates has previously been shown at the Norwegian National Museum (touring exhibition), Salamanca Arts Centre (Hobart, Tamsania), Deedee Shuttuck Gallery, The Chimney NYC, Landskrona Fotofestival (Sweden), Fotogalleriet (Oslo), Pioneer Works (NYC), Shoot Gallery (Oslo), The Museum of Contemporary Arts Kiasma (Helsinki), NADA Miami, Art Toronto, The Nordic House (Reykjavik), The Finnish Institute in Oslo, Paris and Stockholm, Tetley Brewery (Leeds), Seibu Shibuya (Tokyo), Villa Borghese (Rome), Bemis Center for Contemporary Arts (Nebraska US), Bogota International Photo Biennale (Colombia), gallery FACTORY in Seoul Korea, Finlandia University Gallery (Michigan US), The Nordic House (Faroe Islands), The National Museum of Greenland, amongst others. The next stop for the series will be the 44th Tendenser exhibition: Earth, Wind, Fire, Water – Nordic Contemporary Craft at Galleri F15 / Punkt Ø in Moss, Norway, followed by Le OFF – Dakar 2020 – Biennale de Dakar in Senegal and Ann Lantair Arts Centre, Stornoway in the spring/summer 2020.
The first Eyes as Big as Plates book featured portraits, field notes, essays and behind-the-scenes stories from the first six years of this project’s production. All 176 pages were printed with eagle-eyed precision in Gothenburg in Sweden and bound together with love at the last bookbindery in Norway. Each one of these hardcover books was hand- finished with summer leaves on the front and back covers. Designed by Greger Ulf Nilson and published by Forlaget Press, the edition of 2000 books was brought to life by a roaring crowdfunding success in 2016. The book was published in 2017 and was shortlisted for the Paris Photo / Aperture Foundation – Photobook Awards the same year, as one of 20 books from nearly 1000 entries in the ‘First Photobook’ category.
The first volume is now sold out, but our second successfully completed crowdfunding campaign has recently secured the realisation of a new book! Eyes as Big as Plates Vol 2 is planned to be published in conjunction with the ten-year anniversary of the project in 2021, and will feature sixty brand new works and field notes made over the last four years in South Korea, Tasmania, Outer Hebrides, Senegal, Iceland, Greenland and Norway.
Email us at email@example.com and we will put you on our mailing list to keep you posted on the progress of the new book!
All the works are for sale in the following two editions: 120 x 100 cm (edition of 7 + 2 AP) and 60 x 50 cm (edition of 10 + 2 AP). Please get in touch for more information: